Ο Ελευθερος Κοινωνικός Χώρος Φαβέλα (Ναυάρχου Βότση 11 Πειραιάς) συμπληρώνει ένα χρόνο λειτουργίας και διοργανώνει εορταστικό τριήμερο εκδηλώσεων.

-Πέμπτη 29/3 (στη Φαβέλα):
*Στις 20:00 H θεατρική ομάδα του χώρου παρουσιάζει τη νέα της παράσταση, “Bluebird και άλλες ιστορίες…”
*Mετά το πέρας της παράστασης θα ακολουθήσει party.

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-Παρασκευή 30/3 (στη Φαβέλα) :
* Στις 19:00 εκδήλωση-συζήτηση “Τα κοινά αγαθά πέρα από την κρατική και ιδιωτική διαχείριση” με τους: Αντώνη Μπρούμα (Αντιεξουσιαστική Κίνηση ) Γιώργο Παπανικολάου (Καθηγητή Πανεπιστημίου)
*Στις 22:00 ρεμπέτικο γλέντι με τους Doumanians – Ρεμπέτικη κολεκτίβα

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-Σάββατο 31/1 (στο Πανεπιστήμιο Πειραιά) :
* Στις 18:30 Εκδήλωση-συζήτηση “Ένας χρόνος Φαβέλα – Η σημασία ενός Ελεύθερου Κοινωνικού Χώρου στον Πειραιά”
* Στις 20:30 Συναυλία στο Πανεπιστήμιο Πειραιά, με τους 

BAiLdSA, Fundracar, The Titz Punk Rock, JK One & DJ Wheel M, Tiny Jackal, και ΔΠΘ ( Μαύρο Λούκι ) Ψυχόδραμα 07′

* Η Φαβέλα θα είναι ανοιχτή και τις 3 μέρες από τις 18:00 και θα λειτουργεί ταυτόχρονα bazaar βιβλίου στον πρώτο όροφο. (περισσότερες πληροφορίες σύντομα)

*Οι εκδηλώσεις θα πραγματοποιηθούν στο χώρο της Φαβέλας (Ναυάρχου Βότση 11, Πειραιάς), ΕΚΤΟΣ από την εκδήλωση του Σαββάτου και το Live που θα γίνουν στο Πανεπιστήμιο Πειραιά (Καραολή & Δημητρίου 80 Πειραιάς) . Η είσοδος στο live θα είναι με προαιρετική οικονομική ενίσχυση.

* Στα πλαίσια του ενός χρόνου λειτουργίας, θα τυπωθεί συλλεκτικό μπλουζάκι που θα διατίθεται στο τριήμερο σε περιορισμένα αντίτυπα.

Σας περιμένουμε όλους!

Free social center Favela (Navarhou Votsi 11- Piraeus) reaches one year of running, since it’s opening and organizes a three day jamboree. The program until now is as follows:

–Τhursday 29/3 Favela’s workshops/teams day :
* At 20:00 Acting workshop: Theatrical play(in greek) “Bluebird and other stories…”)
* Bar will be accessible before and after the event

–Friday 30/3 
*At 19:00 “Common goods beyond state and private management”, with Antonis Broumas (Antiauthoritarian Movement)
and George Papanikolaou (University Professor)
*At 22:00 Rebetiko revelry by Dumanians

–Saturday 31/3 
*At 18:00 “Presentation – Favela: One Year – the importance of a free social center in Piraeus
*At 21:00 Live act at the University of Piraeus
Line Up: Tiny Jackal, Jk1 & dj wheel M, ΔΠΘ, Fundracar, Baildsa

* Premises will be open during the whole 3-day festivities from 18:00. Α massive book bazzaar will also take place on the first floor of Favela.( more information soon available)

* The events will take place at the Free Social Center Favela, EXCEPT the one on Saturday and the live concert, which will take place at the University of Piraeus. Free entrance /optional financial support.

*Collectible t-shirts will also be available in limited copies.

The post Ένας Χρόνος Φαβέλα! One year Free Social Spave FAVELA 29/3- 1/4 appeared first on Void Network.

UNDERGROUND RESISTANCE
Electro TECHNO Zone

Saturday 24 December 2016

GEORGE APERGIS
ALMOST DEFF
DJANE ZOYA
ECHOSENSE PROJECT
WAR
DUAT
visuals: VOID OPTICAL ART LABORATORY

starts 23.00

Occupied theatre EMBROS
Riga Palamidi 3 – Psiris

Είμαστε όλοι μπάσταρδοι, τρελοί και ερωτευμένοι.
Ζήσε με αυτούς που έχουν επικίνδυνα όνειρα, απελευθερωτικά σχέδια, ριζοσπαστικές επιθυμίες. Ταξίδεψε μέχρι την άκρη του γνωστού σου κόσμου. Αγωνίσου δίπλα σε όσους τολμούν να αγωνίζονται ενάντια στην εκμετάλλευση, τον ρατσισμό, την ανισότητα, την κυριαρχία. Με την συμμετοχή σου, τις ιδέες σου, τις πρωτοβουλίες σου κάνε τον Δημόσιο Χώρο πεδίο της εφαρμογής των αποφάσεων σου. Βρες τον δρόμο σου ρωτώντας για αυτόν, μάθε όλα όσα θέλεις να ξέρεις, φρόντισε να έχεις δικιά σου γνώμη, σκέψου από πού έμαθες αυτά που ξέρεις. Δώσε σχήμα στην οργή σου. Υπερασπίσου με πάθος όλα όσα αγαπάς και αυτά που σέβεσαι και όλα όσα αξίζουν πραγματικά για εσένα. Η ανθρωπιά μας είναι το μόνο μας χρέος. Και οι αντοχές αυτής της ανθρωπιάς κάθε μέρα γίνονται όλο και πιο αμφίβολες. Καθώς ο κοινωνικός κανιβαλισμός εξαπλώνεται παντού, οι συνταξιούχοι κρύβονται πίσω από τις ελληνικές σημαίες στα φτωχικά διαμερίσματα και κοιτάζουν με μάτια γεμάτα μίσος τους «ξένους» και τους «διαφορετικούς» έξω στην πλατεία. Οι αστυνομικοί χτυπάνε τον κόσμο στις διαδηλώσεις και οι τράπεζες παράγουν πεινασμένους και άστεγους, οι δικαστές φυλακίζουνε τους χρήστες της κάνναβης και τα κορίτσια κάνουν βίζιτες μέχρι να τελειώσουν τις σπουδές τους, η ηρωίνη πουλιέται νοθευμένη στους δρόμους και τα νοσοκομεία κλείνουν από υποχρηματοδότηση, τα πανεπιστήμια γίνονται εκκολαπτήρια για ζόμπι και τα τηλεοπτικά παράθυρα ξερνάνε φόβους και μαζικές αυταπάτες. Kαθώς η νύχτα γίνεται τρομακτική στην μοναξιά της οθόνης του υπολογιστή σου και στους δρόμους της πόλης σου δεν παίζουν πλέον τα παιδιά, ένα μόνο μένει να θυμάσαι:

Η ΑΝΘΡΩΠΙΑ ΜΑΣ ΕΙΝΑΙ ΤΟ ΜΟΝΟ ΜΑΣ ΧΡΕΟΣ…
ΘΑΝΑΤΟΣ ΣΤΟΥΣ ΤΥΡΑΝΝΟΥΣ! ΖΗΤΩ Η ΕΛΕΥΘΕΡΙΑ

KΕΝΟ ΔΙΚΤΥΟ
https://voidnetwork.gr/

We are all bastards, crazy and in love.
Live with those who have dangerous dreams, liberating plans, radical desires. Travel to the edge of your known world. Fight alongside those who dare to struggle against exploitation, racism, inequality, domination. With your participation, your ideas, your initiatives make Public Space the scope in which you implement your own decisions. Find your way by asking for it, learn everything you want to know, make sure that you have your own opinion, think of where you learned what you know. Give shape to your rage. Defend with passion everything that you love and those you respect and everything that can be really worthwhile for you. Our only debt is to be humane. As social cannibalism is spreading everywhere, retired grandmothers hide themselves behind the Greek flags in poor apartments and look with eyes full of hatred the “foreigners” and the “different” ones outside at the square. The police beat people at demonstrations and the banks generate and banks render people homeless and hungry, the judges imprison users of cannabis and girls do sex-work to finish their studies. Heroin is sold adulterated everywhere in the streets and hospitals close due under-funding, universities become incubators for zombies and TV channels vomit fear and mass delusion to the public. As the night is frightening in the solitude of your computer screen and children no longer play outsisde in the streets of your city, only one thing remains to remember:
OUR ONLY DEBT IS TO BE HUMANE …
DEATH TO THE TYRANTS ! LONG LIVE FREEDOM

VOID NETWORK [Theory, Utopia, Empathy, Ephemeral Arts]
https://voidnetwork.gr/

The post Underground Resistance- Sat. 24/12 Electro Techno Zone EMBROS Occupied Theatre appeared first on Void Network.

A History of Collective Joy.
By Barbara Ehrenreich.
320 pp. Metropolitan Books/
Henry Holt & Company. $26.

“Take me out with the crowd,” goes the old baseball song. “I love this crowd,” repeats the classic stand-up comic. Every lecturer knows: the larger the group, the more they become an event for themselves, heightening the attention, the laughs or the emotions. At our national political conventions, people wear silly hats and bob up and down to music so stupid it is a parody of music, in order to “demonstrate” a political feeling. Participating in a demonstrative crowd gives joy, as being a mere spectator cannot. Even in a culture where recorded performance has become central, people crave the live event, largely for that group joy.

Barbara Ehrenreich wants to affirm the value of ecstatic group celebration. She aligns it with the old precolonial, precapitalist, pre-Christian religions, and with Carnival. The dancing meant by her title has ancient roots; it precedes streets. It also goes beyond them in the modern stadium, where sports and music, watching and performing, all merge. The kind of celebration Ehrenreich celebrates is communal though ungoverned, and anti-hierarchical though ancient. In the god Dionysus she sees a liberating force needed but resisted by modern Western society. She finds Bacchic group joy in carnivals and maypoles, in the dancing rituals of Africa and the Americas, in the French Revolution and in the face-painting of sports fans.

This is an important subject: how much will the human traditions of ecstatic dance, group celebration and Carnival preserve autonomy and help preserve the dignity of individuals? How much will those traditions and our universal, intuitive response to them, be manipulated and co-opted in the interests of uniformity or corporate profit or authoritarian control? Is culture already crippled by a dearth of free communal joy? How much is the celebrating crowd a release valve for energy, how much a potential focus of energy? And what sort of energy?

Ehrenreich identifies these issues, and is ardently on the right side of them. A research journalist, not a thinker or artist, she doesn’t much illuminate them. Her strength, as demonstrated by previous books about low-paying work (“Nickel and Dimed”) and war’s emotional appeal (“Blood Rites”), is her reporter’s nose for subject and information. She assembles juicy quotations, like Martin Luther on dancing: “I can’t bring myself to condemn it, unless it gets out of hand and so causes immoralities or excess. … So long as it’s done decently, I respect the rites and customs of weddings … and I dance, anyway!”

The double-chinned Luther of Cranach’s portrait, cutting a seemingly incongruous peasant jig, harks back to prehistoric forces. Similar forces helped drive the eclectic Hau-hau cult of the Maori in 1864. The Hau-hau resisted colonial injustices under British rule. Deconverting from Christianity, they also incorporated bits of it into their rapturous pole-dance. Ehrenreich quotes a description of their songs as “an extraordinary jumble of Hebrew, English, German, Greek and Italian.”

On the other side — as Ehrenreich sees it, continuing the voice of Dionysus’ antagonist Pentheus, the young king who resists the god in Euripides’ “Bacchae” — here is a Nazi directive for Third Reich dance bands, dug up by Michael Golston (presumably not a pseudonym for Mel Brooks): “On no account will Negroid excesses in tempo (so-called hot jazz) or in solo performances (so-called breaks) be tolerated; so-called jazz compositions may contain at most 10 percent syncopation; the remainder must consist of a natural legato movement devoid of the hysterical rhythmic reverses characteristic of the music of the barbarian races and conducive to dark instincts alien to the German people (so-called riffs).”

This comical passage helps support Ehrenreich’s distinction between the costuming, shouting, dancing, ritual behavior, atavism and collective exultation that she approves of and similar elements in Hitler’s Nuremberg rallies. The fascist event, she says, is a “scripted” spectacle and those attending “did not assemble spontaneously but were rounded up.” A spectacle audience is passive, unlike the rapturously participating crowd at the maypole or the slave revolt (or at Ehrenreich’s preferred parts of the French Revolution). Carnival mocks authority, and is spontaneous. Thus, fans who wear costumes or dance and sing at contemporary sporting events are “carnivalizing” the event.

Such pro-carnival distinctions, with their good-hearted sympathy for the demotic, the colonized, the neglected, the repressed, are extremely vulnerable to counterargument. Even a reader eager (as I am) to prefer carnival over hierarchy will wince at Ehrenreich’s blurry, prefatory disclaimer: “Not every form of ‘irrational’ group behavior will be considered here; panics, crazes, fads and spontaneous ‘mob’ activities do not fall within our purview. Lynchings — or, for that matter, riots — may generate intense excitement and pleasure in their participants, but the focus here is on the kind of events witnessed by Europeans in ‘primitive’ societies and recalled in the European carnival tradition.”

Quotation marks suggest the writer’s need for a straw man who misuses words like “irrational” or “primitive.” The passage continues to defend the ecstatic group events: “These were not spontaneous outbreaks of ‘hysteria,’ as some Europeans tended to imagine; nor were they occasions for the suspension of all inhibitions and a general ‘letting go.’ The behavior that seemed so ‘savage’ and wild to Western observers was in fact deliberately planned, organized, and at all times subject to cultural rules and expectations.”

For fascist events, people “did not assemble spontaneously”; but in another context it is the authentic carnival events that “were not spontaneous outbreaks.” Ehrenreich’s absolute separation between kinds of crowd behavior — the brutal utterly unlike the benign, the fascistic utterly unlike the anticolonial — wobbles.

Nevertheless, she effectively evokes the evils of colonialism from this cultural viewpoint. There is a world of shame and sadness in the African expression she cites for conversion to Christianity: to have “given up dancing.” And ordinary good sense acknowledges her general point: the Nuremberg-style rally is not a peasant wedding, and the maypole is not the lynching tree. But good sense also recognizes that the two kinds of crowd cannot be utterly different in psychology.

This is not a scholarly treatise, but a book to read for quotes, examples and anecdotes. Ehrenreich’s project may be limited, but it is not wrecked, by a warmed-over quality in borrowings from Max Weber, or a breezy equivalence of Wahhabism and Calvinism. Conceptual and logical matters are not the main problem. Style is. How should one write about wild, mass ebullience?

Here is a sentence from Ehrenreich’s chapter “The Rock Rebellion”: “A good part of the frisson of early rock lay in the rhythmic and often sexually suggestive movements of the performers — grinding their hips, thrusting their pelvises, rolling their shoulders, leaping and falling on the floor — ‘rocking,’ in short, as a way of announcing that the ‘new’ music was inseparable from creative, free-form, heat-driven motion.”

And this: “Rock’s contribution was to weigh in decisively on the side of hedonism and against the old puritanical theme of ‘deferred gratification.’ ”

Or this, from her chapter on sports: “In a stadium or at an arena, the audience has been expected for decades to leap up from their seats, shout, wave, and jump up and down with the vicissitudes of the game.”

This language — having rock “weigh in,” phrases like “ ‘rocking,’ in short” and “vicissitudes of the game” — fails to evoke its subject, except maybe by contrast.

Sometimes an interesting idea collapses into a puddle of dead metaphors and weary cadences: “The rise of social hierarchy, anthropologists agree, goes hand in hand with the rise of militarism and war, which are in their own way also usually hostile to the danced rituals of the archaic past.”

This pop anthropology lacks fizz. There’s a yearning, wistful gap between Ehrenreich’s celebration of inebriated dance and her term-paper prose. In that yearning, she disregards the double, ambiguous nature of Dionysus, the deity she calls “the first rock star.” Possibly, her writing indicates a flinching, less than complete apprehension of that shape-shifting Lord of Misrule.

Dionysus seems to embody a force rightfully needed and rightfully feared. Is the abandon of his worshipers humanizing or dehumanizing — or human? Bacchic energy can overthrow tyranny, and it can tyrannize. In her pages on rock, Ehrenreich just barely mentions the Dionysian landmark of Woodstock — and says nothing about the calamity a few months later of Woodstock’s evil twin, Altamont, where an 18-year-old black man was killed. He was kicked and beaten, as well as stabbed multiple times by a member or members of the organization contracted to keep order and guard the stage: the Hell’s Angels, a name that suits the double nature of Dionysus. Which is to say, the double nature of us humans.

In the “Bacchae” of Euripides, Dionysus leads the queen Agave to join the Bacchae — and in a frenzy of delusion, she tears her son Pentheus into bloody pieces, then carries his head as a trophy. After Agave has come to her senses, and realizes what she has done, Dionysus speaks. “I am Dionysus. I am Bacchus,” he says (in the C. K. Williams translation). He proclaims that the horrors he has brought Thebes could have been prevented “if you had understood your mortal natures.” “Dancing in the Streets” takes an honorable, faltering step in that direction.

Robert Pinsky is the author, most recently, of “The Life of David.”

source: http://www.nytimes.com/2007/01/14/books/review/Pinsky.t.html?pagewanted=all&_r=0

The post “DANCING IN THE STREETS A History of Collective Joy” Barbara Ehrenreich book review appeared first on Void Network.

This article was written shortly after the occurrences in Hamburg. We cannot bring in all of the impressions this day has left us with and maybe others will draw different analytical consequences, which we look forward to reading and discussing. Our main aim is to try to explain the events from our antinational, anticapitalist perspective here in Germany, especially for our international comrades, who asked about information and who cannot follow everything due to language barriers.

A report from the working group “International Affairs” from Antifa AK Cologne
Greek version (ελληνική μετάφραση)

On Saturday, the police attacked and stopped a big autonomous demonstration called in defence of the social centre ”Rote Flora”  in Hamburg. The heaviest riots we have seen in years lasted the whole day and night, hundreds were injured or taken into custody. The organisers speak of a “political scandal”; the media discuss violence, the meaning of the constitutional right to assemble and violations against it by the police; for the radical movement, this further criminalisation of vital social struggles (coming after Blockupy 2012 for example) show that the front lines against state and capital might be hardening.

Who was calling for what?

Several organizations and initiatives called for demonstrations on Saturday which were all politically connected. The initiative for the asylum right of refugees, the “Lampedusa-Group“, called – as they have done frequently in the last few weeks – for an antiracist demonstration. This initiative has to be seen in the context of the refugees struggle, which has been taking place in Germany for a few years now. In Hamburg, it has created a large and vibrant political dynamic and drawn the supportive attention of various section of society, from the autonomous milieu to students and liberals.
A “right to the city”-initiative also called to gather and to protest, in particular against the eviction of the so called “Esso-Houses“, an old housing complex in Hamburg-St.Pauli with a few over 100 housing units, stores, clubs etc. This housing unit was sold to investors in 2009 who directly said that they wanted to bulldoze these buildings and create new, more profitable estates. The houses were evicted only six days before the demonstration, last Sunday (15th December)! The slogan of the protests that day was “Right to city does not know any borders”, this made clear the link to the antiracist struggle.
The biggest demonstration was expected by the initiative for saving the Rote Flora, the legendary autonomous centre in the gentrified district “Schanzenviertel” in Hamburg. The Flora has been threatened by eviction for some years now. Occasionally the owner clarifies how hardline he is and that there is now a discussion about the need for eviction. The situation of the Flora – one of the autonomous centres which refused to negotiate with the city administration and chose a strategy of resistance – is one of the most important symbols of the “right to the city” initiative not only in Hamburg, but in Germany. Furthermore, refugees around the Lampedusa-Group are in intense exchange with the alternative-autonomous scene around the Flora. All the issues for the day can be seen as being crystallised in the Flora demonstration (racism, exclusion from city development). The other demonstrations and assemblies wanted to join the Flora-Demonstration, which was set for the Saturday afternoon. Important to mention is also a strong support from the mobilization by antifascist groups.

The days before

The mobilisation had massive effects. Not only because of the traditionally large representation of the autonomous movement in Germany that comes together at the Flora-demonstrations, but because of the links between the topics described above, which are at the moment most relevant to the radical left in Hamburg. But the mobilization did not stay German wide. Many people from Europe, mostly from the autonomous scene, travelled to Hamburg. An aggressive demonstration was expected.
Politicians, local press and the police built the ideological groundwork for its total-escalation strategy in the days before the demo by playing on people’s fears in the media; Hamburg should be “worried about the city, which is in danger of being burnt down completely“, local press said.. The large crowds of christmas shoppers had to be protected. The police expected 6000 demonstrators, amongst them 3000 “ready for violence”. The eviction of the Esso-Houses in the days before heightened the tension. The police mobilized aggressively, including bringing in specialist riot police units from all over Germany.
On Friday, the police declared the zone of the inner city (St Pauli is not strictly in the inner city, so it was not included directly) as a “danger zone”. You can understand it as a temporary “state of exception”: anybody can be stopped, controlled and taken into custody with little reason needed. This “danger-zone” method is unusual in Germany and its last large use was during the Blockupy-protests in 2012 in Frankfurt. Last time this provoked huge amounts of popular outrage. With tensions rising, the organizers of the antiracist demonstration feared violent dynamics, especially provocated by the cops and replaced their demonstration with a rally instead.
Also on Friday, after an FC St.Pauli football match, a group of about 300 persons organised a spontaneous demonstration to the Reeperbahn (in the “Red-Light-District” close to Flora) and smashed the police station there with stones and paint bombs. The building and several police cars were damaged

Saturday: Warzone Hamburg

This added even more wood to the fire. Hours before the Flora demonstration started, the police had a massive presence in the area. Helicopters, riot police everywhere, 12 water cannons and a lot of tanks against barricades. People were stopped and taken into custody even before they could demonstrate. In the public many have said that this was necessary, especially because of the attack on the police station the night before. Most of the local media did not see these arrests as being a problem.
At about 2:30 pm the first speeches began, but the demo did not move yet. The police say 6000, press about 8000 and the organizers 10000 came together in the end. The demonstration only walked some meters (most people did not even start moving) before the front rows were stopped by the police brutally and without any warning. First there was some skirmish, and then the police fired the water cannon directly into the front rows. After that, stones, bottles, and fireworks were thrown at the police. All in all, after 30 minutes the police said the demonstration was now over.
The “official reason” varies between two versions. The first being that the demonstration started violently and too early. This is as ridiculous as it sounds, so another version popped up: just at the beginning some people threw stones from a bridge at the police. This is more realistic. Or is it?

Take above video, which documents how the demonstration was stopped. First it shows that there was no attack from the demo till the cops stopped it. In this image from the bridge, where the stones were supposed to be thrown, it becomes clear, that the train traffic is still rolling and with the exception of some photographers and spectators no people (I.E. possible stonethrowers) are to be found on this bridge.
The official reason for stopping this demo is extremely poor and it hints to the fact, that this early stopping was pre-planned. As well as attacking the front of the demonstration another riot police unit stormed the back of the demo, where the creative Right to the City bloc was situated. The police co-ordinated attacks on both sides.
The demo was over even before it started properly. Heavy rioting began, barricades were built. The Police used batons, pepper spray and a lot of water from those cannons, which were said to have been filled with chemicals. Even if not, the cold water, combined with the freezing weather and the high pressure with which it is shot make them extremely uncomfortable and dangerous. The cops kettled some thousand people in a big area close to the Flora.)
Even people living in the houses nearby who were not part of the demonstration could not get in and out of their homes. After two hours the police opened the kettle and people were free to go. The big group dispersed, a lot of smaller groups were trying to reach the Esso-Houses, which were seen as one destination to go to. Spontaneous demonstrations of many groups and further fights occurred on many
spots. The inner city was not reachable, but many areas, including the large Reeperbahn avenue were completely blocked by the police.

During the day, about 500 demonstrators were injured, some badly. Probably 300 were taken into custody, 19 charged. The police reported 117 injuries to their officers. We know about how these numbers are produced and expanded but this image of an uncosciousness cop show about the high levels of violence from the day. Furthermore, the press report large levels of damage to property, including party bureaus of the governing Social-Democrats, banks and luxury hotels.
The big, legal and authorised demo never happened due to police escalation. They do not even put this into question, just claiming that it was unavoidable because of the violence. Local and regional
press have hardly criticised the strategy of the police, mostly they believe the fairytale about the attacks on the police before the demonstration from the bridge or the front rows and therefore the necessity to never let this rally happen.

Political consequences

What does this event mean politically? How should we understand it? One mainstream argument, mainly pushed by the (left-)liberal press about the meaning of constitutional rights is a popular argument; This is the third time (after Blockupy 2012 and 2013) that large, nationwide protests from the left and radical left have been declared illegal and dispersed. Despite the fact that about 90% of all Nazi-demos are made possible by brutality against antifascists because it is “the constitutional right of the Nazis” to demonstrate. It seems some have more of a constitutional right than others. Nonetheless, this debate is accompanied by discussion about violence at demonstrations, which in many cases prevents widespread solidarity from German civil society towards anticapitalists who are being successfully criminalised.
This liberal outrage about the right to assemble can be taken as a discursive push against authority. The radical movement, though, should not reduce its arguments to the constitutional level and the book of law. Bourgeoise democracy always has been compatible with massive repression and exceptional actions which are seen to be needed occasionally to guarantee it. In Europe, most recently Spain and Hungary, the rising tendency of exceptional actions (against abortion, migration etc.) are put into “democratically legitimate” forms by passing them as law.
Still, this day could harden the front lines. Every time the German police state shows itself, many already politicized people are confirmed in their (very justified, as the day shows) belief of the impossibility of making peace with the state and become more radicalized. The ideological, German interpretation of “democracy” became obvious that same evening: as the official 8pm-news celebrated the freedom of Russian opposition activists, who fit neatly into their understandings of “Freedom” (of market and surplus production) and “Wealth” (for those who can be used for state and capital and therefore “earn” it), the demonstration in Hamburg was attacked brutally and was not even reported about.

Not out of the blue

But it would be naïve to believe that this development is a total surprise. It is rather the result of the ongoing criminalization and political defamation process against social struggles in Germany. Two central topics of the (radical) Left at the moment – which also were central in Hamburg on that weekend – are refugee and antiracist struggles and those surrounding housing . On these issues, the Left – despite the mistakes one can assert – could receive relatively more acceptance from civil society than usual. The central slogans are “No Borders”, “the City belongs to everyone” and “International Solidarity”.
Take the interventions against racist crisis discourse. By the slogan “We are here because you destroy our countries” the refugee-activists make clear, that the crisis is not to be personalized and projected on them, but should be seen as a crisis of the international capitalist system, its world market and its accumulation dynamics. The same can be said about the housing struggles. For years now, especially in Berlin and Hamburg, but increasingly spreading, initiatives get active and build up a good public standing without necessarily hiding a radical (i.e. revolutionary, anticapitalist) critique. They make clear that current city planning is not for those people who live in that city and need a roof above their heads, but for capital interests and against any imagination of a reasonable society. Living space is not treated as a need for everyone, but as a commodity which is commercialized at every cost.
These struggles and their message question and negate the strong national hegemony of austerity as current crisis management. In a time where Europe is building its fortress even higher to prevent migration with dramatic results and in a place where people are kicked out of their apartments because they cannot afford it and face the risk of homelessness and death, these are topics, where the radical Left in Germany (and beyond) with its radical critique can reach more people than usual.

flashback to blockupy 2013

These two struggles show, that the crisis is also in Germany and was never out of it. No state is immune to the everyday crisis of capitalism. The message is clear: the whole country – as depicted in the ideological national narrative – is not the “winner of the crisis”, but only some classes and groups and only by exploiting more heavily the others – within or outside national borders. Activists from all over Germany and beyond came together to express this critique in Hamburg and they were harshly criminalized and attacked, maybe on a new level we have not seen before. There was even hardly the well-known distinction between “violent” and “non-violent” protestors in Hamburg. This police action was a decision by the local, social-democratic government in Hamburg. But this policing method is not unique to Germany and not to be distinguished by local governments – be it conservative (as in Frankfurt against Blockupy), green and/or social-democratic.

In Europe and beyond

Seen in a European context the ruthless attack on the demonstration is no singularity. Repression, criminalization and political defamation are problems that radicals all over Europe and beyond have to face. Counterinsurgency, not only as a practical method on the street but also as a political act, is not just a national affair; secret services and police forces across Europe are in intense exchange. The German police are well known for their tactics but we are also seeing more authoritarian police responses in the UK, Greece and beyond. So the tactics we faced in Hamburg do not only concern us, but are common problems for social movements in other countries as well.
Links and Media
Photos on flickr: pm_cheung, boeseraltemann, presseservice_rathenow

source: 
http://beyondeurope.net/144/heavy-clashes-in-hamburg/

The post “Merry crisis and happy new fear – Heavy clashes in Hamburg” by Antifa AK Cologne appeared first on Void Network.

Dear comrade, for sure there are a lot of projects In this article that Void Network  disagree with them or we could critisize them as naive, non antagonistic, alternative or passive. But we have to agree that there is a lot of inspiration, a lot of creative effort, a lot of fantasy and many many good intentions in all these projects that this article includes. It is the work of all of us to bring these projects further and further
to understand their limitations and use them as better as possible  as 21st century beneficial tools for radical social transformation
VOID NETWORK

Translated by Stacco Troncoso, edited by Jane Loes Lipton – Guerrilla Translation!
Originally published in two parts at 20minutos.es. Part 1. Part 2

“The old protests, so dull and single-minded, have passed into obsolescence, and given rise to infinite possibility. We’ve rethought the concepts of action, protest, relationship, the public, the common…”

In the collective text,  This is Not a Demostration, we find a hidden corner of thoughtfulness completely ignored by mass media. This is Not a Demonstration isn’t an exercise in nostalgia. There’s no sense of longing for that Vibrant Mass that Occupied the Squares which formed that unpredictable collective body, the tangle of relationships some call “The 15-M Movement”.

This is Not a Demonstration has taken all-inclusive stock of actions, processes and projects which simply can’t be done justice by the old lexicon of protest. This is not a demonstration, we said: “And our imagination has totally overflowed the space of what’s possible, even as we build new worlds upon the carcass of the old”. This is not a demonstration. This is not a sum total. This is more than a rattling-off of victories. This is more than an echo of  “we’re going slow, because we’re going far”.

Some of the media is too quick to bury “what’s left of 15M”. After the second anniversary protest of May 12th, which took place all across Spain, some will rush to hammer the final nail in 15M’s coffin. After the headcount, they’ll pick the photo with the sparsest crowd. They’ll even go so far as to manipulate some images, like any dictatorship would.

Alone in their cave, they’ll toast the funeral, reflected in the tarnished mirror of old-world media. They won’t see the details, the process, the steady drip. They will not take note. They will not listen. They will not read this text.

Surely, 15M is too complicated to be easily categorized, explained, translated. Besides, the eye sees what it’s used to seeing, as Amador Fernández-Savater reminds us in his highly recommended Seeing the Invisible: on Unicorns and the 15-M Movement. But it might just be possible to catch a glimpse of its transformative power by describing the little things, the modest dreams, the collective projects, invisible to many. There´s no need for that utopia of May 68, that ridiculous “Beneath the paving stones, the beach” which never materialised. There´s no need for it because 15M has already built its own: dozens, hundreds, thousands of networked micro-utopias. 15M has no use for a utopian model because it already has one, hundreds, thousands, of working prototypes. Micro-utopian prototypes, connected amongst themselves and (almost) in real time.

Keyword: Prototype.  “An early sample or model built to test a concept or process or to act as a thing to be replicated or learned from”. Digital culture, copyleft processes and the hacker ethic, so pervasive in the leadup to 15M, all imbued their spirit in this new revolution of the connected crowd. The working prototype, within this new, open, process-based world, replaces any fixed model. And 15M is still churning out prototypes. It has built them collectively, as a network and in an open way.

The initial Acampada Sol (encampment at Madrid’s Puerta del Sol square) wasn’t made up of groups protesting the collapse of the system. Within the encampments were prototypes for the new world. And the devil was in the details: its day-care centers, its open libraries, its food gardens, its video streaming, its analogue and digital mechanisms for proposing change. 15M –  whether seen as a signal, a movement, a state of being or a set of human interactions – has built its prototypes, and they’re many: judicial, urban, cultural, economical, technological, communicative, political, affective.

The true power of 15M doesn’t lie in its (necessarily) reactionary collective defense of the welfare state. Its real, and massive, hidden strength is in its creative, innovative, proposal-oriented nature. Given our willfully blind politicians and media, increasing the visibility of these real, shareable, living prototypes is crucial, now more than ever. But it’s not a list we need, it´s more like an act of poetic justice. A subjective inventory, giving shape to something so big we don’t yet have a name for it.

As we’ve been saying for some time,  being happy is our best revenge.

PROTOTYPE 1:
THE METHOD MICRO-UTOPIA

 Image: Ondas de Ruído. Creative Commons Share Alike 2.0 

 The encampments of 2011, specifically their restoration of community assemblies, took the political old guard by surprise. Here were non-hierarchical, open assemblies that anyone could take part in. For the first time in decades, we saw political assemblies held in public spaces. Assemblies that turned into method, human hardware for uniting urban citizens.  The need for consensus arose from a spirit of dialogue and coexistence, born in reaction to the visceral antagonism of the old political class:  we won’t go until we reach an agreement. Following the erosion of the mechanisms of consensus during the encampments, the strategy of geographical and thematic diaspora came into being. #TomaLosBarrios (#TakeTheHoods). #TomaLaPlaya (#TakeTheBeach). #TomaLoqueQuieras (#TakeWhateverYouWant. Join with others. Open it up. And, from the hardships of coexistence, the slow nature of consensus, from decentralization, the workings of autonomy emerged..

In free software jargon, “fork” describes a peaceful deviation within a common project. The term was quickly adopted in 15M citizen politics. The newly formed Comité Disperso (Scatttered Committee) sums up 15M’s fresh ways of dealing with an assortment of processes. “You can be there without always being there.  You can be, without being the same. You can participate without needing to tie yourself to anything or giving up your autonomy. Acting from mutual respect, scattered organization allows varying degrees of collaboration amongst people and collectives, according to their own wishes, goals and abilities at any given moment”. It isn’t surprising then that Partido X, Partido del Futuro, which forked out from 15M, defines itself as “a method”.




PROTOTYPE 2: 
THE URBAN MICRO-UTOPIA

Image: Campo de Cebada. Creative Commons Share Alike 2.0


The encampments led to a double mutation of urban space. First: the shift from public space into common space. Public squares, beset by excessive prohibitions and the privatization of their usage, were reborn as the urban commons. A leaderless, non-hierarchical citizen network organized this urban space “peer-to-peer”, consisting of interconnected public squares.

Second mutation: hybrid space. These weren’t squares made of paving stones. These squares were of bits and atoms. Analogue and digital life were intimately intertwined, inseparable. During the encampment at Sol, theTwittómetro connected networks and public squares, virtual and physical spaces. The #AbreTuWIFI, (#OpenYourWifi) campaign, which encourages people to open their home WI-FI access during protests to allow easy communication, nurtured this new hybrid urban space. Another good example is the #Voces25S map, created to protect mass groups from police violence. You only had to tweet from your GPS-activated mobile phone to lay out the “digital rug” over the physical city-space.

The first of the two mutations described above is building a network of former public spaces, now transformed into self-organising, self-governed places bristling with activity, like Madrid’s Campo de Cebada, recent winner of Ars Electronica’s prestigious Golden Nica Award in the Digital Communities category. These spaces are often supported in part by stale, dried up public institutions desperate for new ideas. The second mutation is branching out through Convoca!, a mobile app that allows you to check in at gatherings, protests, events or encampments. Both mutations coalesce in a melting pot of networked spaces, connecting peers locally and globally, beyond institutions or boundaries, on the fringes of commercial logic.

READ MORE NEW PROTOTYPES OF STRUGGLE HERE:

PROTOTYPE 3:
THE COMMUNICATION 
MICRO-UTOPIA

photo: http://fotomovimiento.org/

Very few countries have put into practice sociologist Manuel Castells’ concept of “mass self-communication” at the same level as Spain. Under the nose of a mass media trapped in its clichés and corporate compromises, 15M created an historically unparalleled system of mass communication. It introduced transparency as a method: video streaming of assemblies, open minutes and documents for every meeting, a transparency at once action and communication. From the get-go, 15M produced better live-streamed media of protests than anyone else. TV grew increasingly irrelevant when compared to on-the-ground video streaming as exemplified by People Witness or Toma La Tele. The revolution had finally been televised, contrary to Gil Scott Heron’s prediction (The Revolution will not be televised).   What’s more, some written media, after seeing the global impact of SolTV and citizen-streaming, felt the need to catch up by aping the method and providing live video too.

A good number of photopress agencies lost some lustre to the explosive, poetic material showcased by FotoMovimiento. Meanwhile Audiovisol, Agora SolRadio or the printed-paper Periódico 15M have set the new standard in intelligent mass self-communication.

Some new media such as ElDiario.es, La Marea, Reset Project, Revista Números Rojos or Café amb Llet were born steeped in the micro-utopic communicative spirit of 15M. And if that wasn’t enough, let’s not forget 15M’s role as a global Twitter-trending-topic machine, planned on collective pads such as this one, and which are already being studied in the communication programs of universities worldwide.
 

PROTOTYPE 4:
MICRO-UTOPIA IN FEMININE

Vídeo: presenting the Zorras Mutantes 
(Mutant “Ho”s) in Sol General Assembly, 3rd of May 2012.

Spanish, being a gender-based language, was hacked to be gender-flexible (from nosotros to nosotras) early on in the encampments. We started seeing men speaking very naturally in feminine/gender inclusive forms of speech, a hugely significant detail. It’s a symbolic mutation, a step onwards from competition to collaboration. This is the tip of the iceberg of a new worldwide paradigm. I’m not referring to it as a Feminine Micro-utopia, because this shift runs much deeper than that. At the very least, we’re witnessing a remix of classical feminism, which, at times, has constructed the same kinds of antagonistic and categorical walls as “machismo”. 15M is creating a grounded, intuitive outgrowth of Donna Haraway’s utopian cyberfeminism.

The existence of assemblies such TransMaricaBollo (composed of LGBT collectives in Madrid) is another example of the micro-utopian aggregate,  inclusive and genre-transcendent, that 15M as a movement is striving for. While not being central to the movement,  the Zorras Mutantes assembly, which plays with the queer movement, polyamory and the jargon of “cyborg-feminism”, is another spark within this #PostFeminist, #PostPatriarcal micro-utopia. Here’s an extract from their manifesto: “We’re animal-human-machine-software hacking the limits of established norms (…) We’re on strike, striking against species and gender: we renounce our binary gender and human categorizations, arbitrary classifications of an imperialist tradition (…) We abhor subject-object dualism, possessive individualism and the right to own property, and we declare ourselves as metabodies.”.

PROTOTYPE 5:
THE COLLECTIVE CULTURE 
MICRO-UTOPIA 

Copyleft culture – conceived as a reaction to copyright – directlly influenced 15M. Copyleft idealism and its legitimization of copying and recycling content was at an all-time high in the months leading up to 15M, due to the threat of the antipiracy Sinde Law. These intuitive, collective and unplanned tenets formed the backbone of the #GlobalRevolution. Public squares acquired copyleft traits, becoming ctrl+v spaces constantly mirrored in their digital doppelgangers through texts on how to camp, how to videotape in a constant and unprecedented barrage of infectious creativity.

Born in the wake of 15M’s explosive appearance, Fundación Robo (or, “Steal this Foundation”), diluted the concept of individual authorship, churning out songs authored by the collective identity of Robo (Steal). Freely downloadable songs, under open licenses. Meanwhile, Asalto (Assault), Robo’s literary counterpart,  was born soon afterwards, with its collective literature and poetic snippets remixed into intense “Collective Assaults”. And Plazas Invisibles (Invisible Squares), as written by Italo Calvino with the 99%. And VocesConFutura, visual shout-outs by inspired graphic creators camped within 15M pixellated environs. And Bookcamping.cc created to answer the innocent question, “what book would you take to the square?” With its book-filled shelves, its playlist of titles, its guided visits, Bookcamping.cc stands as a prime example of the new web-created and commons-oriented culture. But, it’s possible that 15M.cc, – a transmedia project composed of a book, a documentary and the 15Mpedia – may well be the best across-the-board representation of the collective, open and collaborative spirit of 15M’s cultural micro-utopia.

Remixing – A copies B, B recreates A’s original work – turns flaws into virtues. Remixing becomes an homage, a co-creation – and, why not, a battle cry. What could be better than #cutandpaste a fragment from “Asalto nº 4, Lorca remix” in support of Marea Verde and its defense of public education. “Green that I love you Green. Green wind. Green branches. Education needs your hand, to help avenge it, to expel those seeking the failure of the masses”.

PROTOTYPE 6:
PARTICIPATORY 
MICRO-UTOPIA 

The assemblies, celebrated in public squares, marked a previously unheard of politicization of public space. Even taking into account that their consensus building mechanism didn’t end up directly influencing the democratic process, the creation of new spaces for political dialogue soon made the old institutions look dated. The project/process Parlamento a la Calle (Take Parliament to the Streets) for example, is a true master stroke against a static democracy that only allows for dialogue within the chambers of parliament. Besides, public-square assembly did manage to consolidate certain specific mechanisms.

This yearning for participation is the essence of Propongo (I Propose), a tool and platform for the collection and implementation of political ideas by a collective voting system. Propongo inspired the Rio Grande do Sul’s (Brazi) Digital Cabinet. Meanwhile, Asamblea Virtual (Virtual Assembly), a participatory online system where proposals are drawn, debated and voted on, has become an invaluable laboratory for techno-political participatory systems. Similar initiatives, such as Ahora tu decides (Now You Decide), a platform for non-state-mediated digital referendum, the urnas indignadas, physical voting booths placed on the street last November to vote on the proposal against foreclosures, or ballot information tables set up by public health defenders, Marea Blanca, make an important symbolic statement capable of forcing change in the system’s participatory mechanisms. Finally, Graba tu pleno (Record your Plenary Session) which encourages transparency by inciting citizens to video every single convention of assemblies, could also be considered another 15M prototype.

Demo4Punto0 (Democracy 4.0) is perhaps the most innovative initiative of them all. A hybrid participatory strategy and mechanism, it would allow any citizen to digitally vote on any parliamentary proposal or law. Based on each political party’s ratio of seats in Parliament, the mechanism proportionally discounts a seat for every 150.000 that participate in a vote. These citizen votes represent a proportional part of a congressman’s constituency. It’s no coincidence that the regional government of Andalucia (in the south of Spain), has commissioned the groundbreaking Andalusian Digital Democracy Report from the founders of Demo4Punto0.

PROTOTYPE  7:
FUN-TIVISM 
MICRO-UTOPIA  

Non-violence has always been an inspiration to 15M. The Movement resurrected peaceful resistance and adapted it to the Internet age. Repudiating weapons and classic urban guerrilla tactics, 15M made protest creative, constructive and, unmistakably, fun. Networked emotions and viral actions that amplified and altered their own effects. Culture Jamming, the remixing of logos and  commercial symbols as exemplified by Adbusters, morphed into something else in Spain. 15M’s culture jammers became virtual DJs, spinning memes and emotions. We saw how Flo6x8, a flash mob collective, was able to flamenco their way into a bank. We saw a crowd throwing a party in a Bankia branch, to promote its #CierraBankia (#ShutDownBankia) campaign. Bankia was Spain´s own big-bank-bailout debacle, going from public bank to private entity, subsequently bankrupting itself and then controversially being rescued with public funds, concurrent with the imposition of austerity measures. We were delighted by the parodical Ballot Box ATM: if it´s the banks that really govern us after all, why not just vote directly while at the bank?

Political Jiu-jitsu, or defeating an enemy by turning its strength against itself, is the tactic used by the Metro de Lujo (Subway DeLuxe) campaign. Elegantly attired individuals protested the Madrid subway’s inscrutable price hikes by dressing up and toasting champagne to welcome the new “aristocratic” pricing. Or, how about the ultimate fetid vengeance, exemplified by the #TubasuraalBanco (#TakeYourGarbageToTheBank) campaign – which, ultimately, made it as far as Portugal (#OLixoAosBancos). Another hilarious example is the #ManiFicció/#ManiFantasma (#FicticiousProtest/#GhostProtest), a fake protest announced as a total urban guerrilla outing,  which managed to ridicule and embarrass Catalonia’s riot police (Mossos D’Esquadra), when they arrived to meet the dangerous enemy to find… no one!

15M has creatively and humorously reinterpreted the tenets of Saul Alinsky classic “Rules for Radicals”, or The Guerrilla Communications Handbook. amongst other direct action classics. Additionally, it has birthed a particularly active army of Twitter troll activists. Profiles such as @barbijaputa or the @ikastrolla collective are prime examples.

PROTOTYPE 8:
RESILIENCE 
MICRO-UTOPIA

Faced with the unjustified rising cost of public transport, classic resistance-based activism would respond with barricades, protests and setting things on fire. On the other hand, resilience-based activism uses adaptation, micro-attacks, and hacking, expressed through cracks and loopholes in the legal system. “Translegal”, rather than illegal. IGetOn YouGetMeoOn… non-payment tactics for public transport. If you get fined, there’s a co-op that will handle the cost of the fine.  It works out cheaper to make a monthly contribution to the MeMetro (IGetOn) co-op than paying the regular monthly pass. Adapted from an identical initiative in Greece, the YoNoPago movement fights against the rising cost of highway tolls and public transport, another sign of resilience. When the VAT was raised 21% for Spanish freelancers, a new “bacterial” web-based network called #HuelgaAutónomos (Freelance Strike) sprung up to deal with the problem by paying individual taxes collectively, or by refusing to declare income on certain months (Freelancers in Spain are required to pay a disproportionately high fixed monthly fee to able to work legally).

PROTOTYPE 9:
THE NETWORKED 
POST-SYNDICATE 
MICRO-UTOPÍA

Imagen: Marea Verde, by Andrés Arriaga. 
Licensed under: Creative Commons.

The Citizen Tide phenomenon, especially in Madrid, has not been thoroughly studied by social anthropologists, but it should be. As far as mass media is concerned, apparently it isn’t even worth analysing.  The Marea Blanca (defending Public Health), Marea Verde (Public Education),  Marea Azul (against the privatization of water) and the Marea Violeta (feminism), are permutations on the traditional protests and marches declared by unions or political parties. 15M turned everything upside down. It modified the source code of protest and spread the virus to the rest of society. That’s the reason the Mareas work within horizontal, non-hierarchical networks. These mobilizations create new sets of visual associations (green equals “education”), and no one displays any union or political party paraphernalia during marches, whether they’re members or not. Their texts and objectives are written collaboratively and with absolute transparency. The Citizen Tides are a new form of social mobilization. Could we be witnessing the birth a radically different form of syndicalism? As for me, I haven’t the slightest doubt that the Tides represent a form of networked post-syndicalism that marks the beginning of a new era.
#TomaLaHuelga, a summons by 15M to attend the protests organised by the official government sponsored – and highly inefficient and corrupt – unions, as a differentiated “critical march”, is another clear-cut case of post-syndicalism.

PROTOTYPE 10:
THE COLLECTIVE 
INTELLIGENCE MICRO-UTOPIA

Stop Desahucios (Stop Foreclosures) map, built on Ushahidi. A SMS alert shows foreclosed individuals and families the location of empty bank-owned apartments in their area.

The popular, and subtly reactionary, eighties Spanish children’s TV program “La Bola de Cristal” (The Crystal Ball) introduced the phrase “sólo no puedes, con amigos sí” (you can’t do it alone, but you can do it with friends”) into the burgeoning Spanish collective unconscious. Those youths, now grown, repurposed the phrase from the start of the movement. Maybe that’s why we’ve seen such a natural shift from DIY (Do it Yourself) to DIWO (Do it With Others). Here’s an interesting distinction: 15M has consecrated the value of “multitude” over “masses”. In contrast to the “mass-man”, as portrayed by Ortega Gasset, we see the emergence of the “multitude man”. as exemplified in the Smart Mobs of Toni Negri and Howard Rheingold. The Smart Mob forms an autonomous whole, bigger than the sum of its parts. 15M’s Smart Mobs brought to life the concepts of “swarm” (Kevin Kelly / Steve Johnson) and “collective intelligence” (James Surowiecki, Pierre Levy) like never before.  Initiatives such as Stop Desahucios (mass gatherings to physically prevent foreclosure eviction proceedings), actions like the “Eschaches” (public humiliation and condemnation of corrupt politicians and bankers) and campaigns such as Toque a Bankia are palpable demonstrations of swarm and collective intelligence initiatives in full gear.

Collective intelligence also powered the 15Mpedia or the Vivero de Iniciativas Ciudadanas (Open Hatchery for Citizen Initiatives) Glossary, and played an essential part in the formation of WhatsApp IM groups used in protests to assure the protester’s bodily safety. These are telling examples of the kind of collective intelligence that feeds the parallel, alternative and sustainable world mapped on projects such as MeCambio.Net, a listing of companies and services founded on ethical and sustainable values.

PROTOTYPE 11:
THE MICRO-UTOPIA 
OF THE COMMONS

“Out of chaos, we’ve seen actions, constructions and turnarounds arise with clear, integral, non-corporate intentions, all marked by a tendency to organise into community”. These words, recently expressed by hacker Marga Padilla, give credence to the theory that 15M has acted as a springboard for communities. A steady stream of communities where neighbours share their wifi thanks to Wifis.org, use community currencies (like Seville’s PUMA, and many others), analogue/digital barter systems such as Nockin or cooperative practices like the No.Ma.Des Project (a wordplay on nomadism and and “No More Unemployment) which seeks to find meaningful, constructive activity for the hordes of Spanish unemployed.

References to “the Commons” were omnipresent in all the initial debates of the 15M movement. The construction of interrelated communities stems from a marked desire to improve on the wealth of the commons. The Carta de los Comunes (A Letter for the Commons), a text signed the Madrilonia.org collective and edited by copyleft publisher Traficantes de Sueños, is an excellent example of the concrete – if, at times, cleverly subtle  – prototypes reflecting the commons via their intellectual content.

PROTOTYPE 12:
THE LEGAL MICRO-UTOPIA

But the most spectacular and ambitious example of this legal micro-utopia is, undoubtedly, the 15Mparato campaign. Launched through crowdfunding platform Goteo.org, the campaign gathered more than the necessary 16.000€ in less than 24 hours, collapsing Goteo’s servers in the process. These funds are being used to finance a lawsuit against Rodrigo Rato, former IMF Managing Director, head of Bankia and nominated by Bloomberg as one of the worst CEOs in the world (2012), for his mismanagement and accounting irregularities at the time of Bankia’s merger. We are talking about a mass lawsuit designed and funded online, that quickly gained the support of 50 shareholders who stepped forward as plaintiffs, as well as a host of internal witnesses. Spain’s networked citizenship shifted from defending itself to taking on the enemy. This, the first crowdfunded mass lawsuit, showed that the economic political elite isn’t as cozily secure as it thought. Or, as we can read in 15Mparato’s site: “Fear has switched sides in the struggle between those who are the bottom and those who are at the top”.

PROTOTYPE 13:
THE FREE KNOWLEDGE 
MICRO-UTOPIA

Free Knowledge, Free Licenses, Free Access. 15M squarely positioned itself against copyright from the very beginning. Many individuals and collectives within 15M have played an important role in lobbying for a more thorough transparency law. These groups have also been instrumental in the fight against restrictive proposals like the SOPA-like Lasalle Law. 15Mpedia reflects a healthy amount of free-culture and free-access related initiatives, like this list of online libraries which offer free downloads.

15M and the Marea Verde are defending universal access to public education by incorporating some important new details. The “Ciudad del Aprendizaje” (City of Learning) – education partaken on the streets, without walls and free from traditional hierarchy – is already up and running. On March 9, Spanish universities took to the streets as part of the #UniEnLaCalle (#CollegeInTheStreets) campaign, with 575 public squares and urban meeting points serving as the backdrop for innumerable master 
classes.

PROTOTYPE 14:
THE SENIOR CITIZEN’S 
REVOLUTION MICRO-UTOPIA

Iaioflautas The Rebel Grandparents from Magma Multimedia Productions on Vimeo.

PROTOTYPE 15:
THE NEO-INTERNATIONALIST
MICRO-UTOPIA

 15M has dissolved international borders. It has woven transnational communities together and eased the exaggerated nationalism that the system likes to promote during crisis. First, 15M expanded its network around the world, ignoring nation-states. The proclamation, “We aren’t commodities in the hands of politicians and bankers” was immediately understood across all nations and languages, enabling networks and breaking down borders. At the heart of this global network, the Spanish node that is 15M has always embraced diversity. It’s protected its immigrants from police abuse, it’s campaigned against Alien Detention Centers, it’s founded Neighbour Brigades for the Observation of Human RIghts. There are even doctors who’ve declared themselves as conscientious objectors due to the recent cut in immigrant public health rights, and have vowed to treat illegal immigrants, in spite of new laws prohibiting this. 15M is forging a new Internationalist movement, as far-reaching as the workers movement of the late 19th century, but endowed with an historically unmatched set of tools and connectivity. The video embedded above, showing German citizens in solidarity with Spain, was filmed as a direct response to one of 15M’s videotaped assemblies, and is visible proof of the new international micro-utopia we are forging together.

>>>>>

• The Economics and the Commons Conference’s site (Published in two parts: part 1, part 2)
• TAHRIR International Collective Network’s website  (Published in two parts: part 1, part 2)
• The P2P Foundation blog (Published in two parts: part 1, part 2)
• TakeTheSquare.net (Published in two parts: part 1, part 2)
• Occupy.com (Published in three parts: part 1, part 2, part 3)

source: 
http://guerrillatranslation.com/2013/05/16/spains-micro-utopias-the-15m-movement-and-its-prototypes/

The post Spain’s Micro-Utopias: The 15M Movement and its Prototypes appeared first on Void Network.

In Worldwatch Institute Europe’s second article examining the current situation in Greece we explore the particularities behind the current social situation, the ongoing changes taking place within Greek society and the notion of sustainable prosperity as viewed from a Greek standpoint.
Worldwatch researcher Eirini Glyki [ http://www.worldwatch-europe.org/node/52 ] interviews Michalis Theodoropoulos [ http://www.linkedin.com/in/michalistheodoropoulos ], European Parliament assistant for the Greek Green Ecologists and responsible for environmental, food safety and health issues:

What was Greece’s relation to sustainable prosperity in the past? What is this relation in the present?

We need to define sustainable prosperity first. Do we mean in terms of GDP and consumption increase, or in terms of the Human Development Index and social welfare? Or merely the idea that the past was more prosperous than the present?
Greece following the tragic aftermath of World War II and the succeeding civil war went through a restructuring process under the sponsorship of the USA and the funds of the Marshall Plan (officially the European Recovery Program, ERP). These funds were used to build necessary infrastructure and supposedly boost production and consumption of goods.
Political instability until the late 1970’s, lack of planning and large internal migration from rural areas to city centers, rendered production patterns fragmented and unsustainable, while consumption was kept on basic needs. Big industry was never really developed; exports were never that important; agricultural production covered mainly internal needs but sufficiently. Society was still living in conservation status, saving rather than spending, secured by family bonds and trust in social institutions rather than in state welfare and the corrupted political system that followed. People worked hard but lived a rather descent and modest life, rich in spirit rather than material goods, small was still beautiful. The environment was kept in quite pristine condition, although there was a total absence of environmental protection.
Then the 1980’s came, along with EU subsidies and private bank loans, living conditions and the socio-economic fabric changed. Tourism became the main industry and subsidized agricultural production gave rise to monoculture of environmental stressful products. Small industrial units operated uncontrolled without any environmental consideration and there was a considerable shift from production of goods to service provision. A new middle class started to emerge, with an urge to spend more than it earns, to consume more than it needs.
During the 1990’s and till 2005, GDP increased along with stock market and property loan bubbles, people seemed to be happy to be able to consume more with easier loans, while at the same time refrained from their financial obligations to the state, as there was no payback in terms of public welfare. Prosperity seemed to be a benefit for many and living conditions improved, although the rich were getting richer and the poor were getting poorer. Bigger, easy and more was the beauty of the time.
Under the current crisis and austerity policies, prosperity really seems a thing of the past, as wages, pensions and social welfare are diminishing. A whole generation that invested in this lifestyle saw its aspirations and jobs getting evaporated. Although according to OECD, the Greek workforce is amongst the hardest working in the EU (although not that productive in GDP terms), austerity is affecting mostly the working and lower classes: unemployment is reaching 20%; the same percentage of the population at present lives in breadline conditions and new-homeless people pack in city centers by thousands.

Has the economic crisis triggered a change of views amongst Greek people?

Although there is widespread criticism against the political establishment and significant social turmoil, the majority of the Greek people are still entrapped in a certain lifestyle and political system, numb and afraid, waiting for help from above (politicians, the state, God, etc), or an easy way out.
Fortunately, there is a worth-noticing critical mass of people and movements striving for change, although in tight oppression and significantly fewer in numbers. Despite that, hundreds of thousands of people protest in massive demonstrations against the austerity policies and the colonial-type loans, while at the same time many thousands of people are creating their own post-crisis environment, smaller self-managed systems within the system, cracks in the existing monetary-based economy.

In the present, what are the attitudes of Greek people concerning their living model?

There is widespread consideration about the deterioration of living conditions in Greece at present, great anxiety and uncertainty about the future. Environmental considerations fall short when there is no guaranteed income and when there will be a privatization of public natural resources and services, in order to repay the usurious loans Greece received as bail-out.
Although the majority of the people are entrapped in city centers and certain lifestyles, a critical mass of the crisis generation has found ways to make cracks in space and time, either in the city, or in view of a reoccupation of the countryside. Sooner or later, people will have to start considering living with less but in better conditions, if not by choice, by need for sure. Bankruptcy is around the corner and people start considering life after money and debt.

Is, in your opinion, Greek society ready to move away from consumerism?

Consumerism in Greek society does not go back more than two generations. People will have to re-evaluate their financial and social institutions when the crisis really hits the bottom. Sustainable practices from the past, such as barter economy, solidarity networks, mutual assistance, community orchards, cooperatives, collective housing, reoccupation of public spaces and many more, have already shown signs of hope.
The younger generations, although entrapped in widespread commercialized consumerism, are ready and willing to revitalize traditional practices and consumption patterns followed by their grandparents. Following the inspiring example of Catalonia [ http://www.homenatgeacatalunyaii.org/en ], several self organized initiatives have sprung lately also in Greece, setting aside intermediaries, creating subsystems of their own, reclaiming public life and space.

Currently, what – if any – are the movements within Greek society shaping up to be?

Beyond the crisis there is a growing number of people that have decided to take their future in their hands and reinvent the collective We. You may move faster when you are alone, but you can go further if you collaborate. Local exchange trading systems without money, eco-communities, cooperatives of producers and consumers, worker cooperatives, urban community orchards, traditional seed banks and seed exchanges, collective management of public goods, public assemblies and self-organised social centers, are just few of hundreds of grassroots initiates that have sprung during the last two years in Greece. An indicative list can be found here. [ http://www.iliosporoi.net/index.php?option=com_content&view=article&id=514:2012-01-12-14-51-13&catid=84:2011-11-24-20-29-10&Itemid=374 ]

What are, in your opinion, the changes needed to be made in order for
Greek society to be viable?

Greek society needs a shift in its collective consciousness. As we exit the century of Self, we need to reinvent the new collective We, as much as, we need to redefine basic humanistic values and fundamental rights. We need a change of paradigm, a change of narrative, a change in our collective imaginary institution of society, in order to live our utopias, in order for the younger generation to see some light at the end of the tunnel.
We live in a period of historical developments, the end of an era and the beginning of another one. We need to find sustainable ways for the ecological transformation of society and the economy. We need to aspire confidence and optimism for the future. It is our duty not only to create the conditions for this transition but also to toll the whole society along this way, by promoting best practice examples and realistic but at the same time radical solutions.
Now many say that a new Marshall Plan is needed, a Green New Deal, focused on green investments and the ecological transformation of the industry. This is much needed, as much as we also need a shift towards degrowth targets, especially for certain industry sectors, such as energy, transport, automobile, chemicals, agriculture, while at the same time re-localize production and consumption. It is certain we need to start thinking of prosperity being decoupled from growth as determined by the current form of capitalism.
Greece specifically, could find solutions in dramatically cutting down military expenditure, taxing the Church’s wealth, as well as taxing the wealth of the richest 1-2% of the population and the financial stock exchange transactions. Moreover, at a larger scale, the “free -corporate- market” and banking system (including rating agencies) need to be regulated, in order to serve public interest instead of just being profit driven.

In your view, what does this crisis point out considering the existing living model and economic system? What are the connections of this crisis to sustainable prosperity?

It is my view that this current crisis, is a systemic restructuring of the current monetary-based economic system, purely profit driven, resulting to the economic elite accumulating further wealth and power. This clearly shows the default of the existing “neoliberal” policies, as well as of the current development patterns. The current economic system seems to have lost its morality by ignoring the human factor.
Unsustainable recipes of the past, as practiced in Greece, focusing on economic growth, GDP increase, over-consumption of natural resources, even at the expense of human lives, should be an example to avoid in the future as we strive to make a transition into societies with prosperity for all. In order to achieve sustainable prosperity, the current production model based on productivism and monetary-based economy should be replaced by a resource-based economy, a combination of green investment aiming at the ecological transformation of the economy and society, coupled by degrowth elements (live a better life with less material goods and fewer working hours) and a conscious lifestyle by everyone.

The post “Sustainable Prosperity: A Greek Perspective II” by Michalis Theodoropoulos appeared first on Void Network.

Hi comrades!

We write you to spread a Spanish´ (Mallorca) iniciative called “take the town” (tomalaciudad). It´s about take empty places (private or statal properties) and make them squares, communitary gardens, places to meet each other and work together (Exarchia´s way).

It is a political action based in assamblies, a critic of urban design, building a common space for the people.

Sorry my english is not enough to describe but this is the video with english subtitles and this is the manifest

Hope you like it. We ask you to make diffusion.

The post TAKE THE CITY! (What´s new in Spanish Revolution) appeared first on Void Network.

A New Political Discourse: From Movement to Society

The Three Elements Of The Commons: Pooled Resources, Community, And Commoning

The post On the Commons: A Public Interview with Massimo De Angelis and Stavros Stavrides appeared first on Void Network.